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They both speak in non-sequiturs, but this is not the playwright’s excursion into Absurdism it feels like his insight into the way these authentic-feeling characters would talk.
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Lot is wary and has panic attacks. Surratt’s physical show of discomfort is arresting, persuasive. Ginny is blunt, and says things that aren’t always true.
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Ginny’s taste in music is very different from Lot’s, as is their general approach to life. I don’t think it’s a spoiler to point out that, after many starts and stops, Ginny and Lot do work on a song (actually co-written by Arbery and Joanna Sternberg.) But “Corsicana” is less about what happens more about what we learn about the characters. They just stare at one another for the longest moment. The scene is gently amusing, and it is matched when Ginny and Lot finally meet face to face. “Hell - now I have to start knowing what day is Monday….I have to get a calendar or something.” Christopher suggests that Lot and Ginny could meet just on Mondays for starters. It takes a long time for Lot even to understand what it is Christopher is proposing, and even longer to agree, after Christopher has worked hard not to offend him, and to be persuasive. Lot (Harold Surratt) is wary and difficult. Justice urges Christopher to make the pitch. He still hasn’t gotten a phone, but he at least now doesn’t keep the front gate shut at all times. Justice’s thinking is that it might be good for both of them Lot has recently opened up a bit, allowing Justice to arrange for a journalist to write about his art work in a prestigious magazine. Their mother’s best friend, a librarian named Justice (Dierdre O’Connell), suggests that Ginny, who has a love of music, could meet Lot, and they could write a song together. But Arbery’s approach creates some other challenges.Ĭhristopher (Will Dagger), an aspiring filmmaker in his thirties who is currently teaching at the local community college, lives with his older sister Ginny (Jamie Brewer), who has been despondent since their mother died a few months earlier. The result is the slow unfolding of some vivid, odd, complicated characters brought to life by an extraordinary cast, including Dierdre O’Connell, who finally got the recognition she deserved last week when she won the Tony Award for lead actress in a play. The solution he seems to have landed on is to add two more characters, and give all four of them more or less equal weight. At the same time, the playwright didn’t want to turn his sister into an archetype, to be pitied or admired, and he didn’t want to make “Corsicana” into an issue play. In a note in the program of “Corsicana,” which is running at Playwrights Horizons through July 10, the playwright tells us he was inspired to write “Corsicana,” because he has always wanted to write about his relationship with his older sister, Julia Arbery, who has Down syndrome – like the character Ginny, and like the actress who portrays Ginny, Jamie Brewer.